Showing posts with label bondage. Show all posts
Showing posts with label bondage. Show all posts

Wednesday, September 12, 2012

fee's LIST / through 9/18

WEDNESDAY
NYC
* "A Visual Essay on Gutai" @ Hauser & Wirth / 32 E 69th St. A landmark survey of the postwar Japanese art movement's legacy via 12 of its core artists: Norio Imai, Akira Kanayama, Takesada Matsutani, Sadamasa Motonaga, Shuji Mukai, Saburo Murakami, Shozo Shimamoto, Kazuo Shiraga, Yasuo Sumi, Atsuko Tanaka, Tsuruko Yamazaki, and founder Jiro Yoshihara. This exhibition, curated by Midori Nishizawa and organized with Olivier Renaud-Clément, features two decades of masterworks and coincides with the half-century anniversary of Gutai's first U.S. exhibition.

* Gerhard Richter "Painting 2012" @ Marian Goodman Gallery / 24 W 57th St. His German eminence has been challenging traditional art tropes — the portrait, the drawing, the abstract, the minimal — for decades, at every turn of his oeuvre. Here, Richter combines rigorous structure and the explosiveness of chance in his sublime new "Strip Paintings". Which, ostensibly, are colorful stripes. Perhaps a sublime experience? Also perhaps: a big middle-finger to richies getting off on Richter's telltale abstract paintings (so hot right now).
Either way, you know you can't miss it.

* Teresita Fernández "Night Writing" @ Lehmann Maupin / 201 Chrystie St. I have a…complicated relationship with Fernández's output, which (in this writer's opinion) tends to favor highly stylized "stuff" over contemplative objets d'art. That her latest solo exhibition consists of a single, site-specific installation based on night-sky viewing and utilizing fully Lehmann Maupin's lofted space heartens me that it'll be a subtler, more rewarding experience.

* Karin Kneffel @ Gagosian / 980 Madison Ave. The brilliant German artist's vividly patterned, naturalist paintings haven't received fair play in NY (her last solo stateside was in 2008), so I'm stoked to see what Kneffel unveils at tony Gagosian.
+ Mark Grotjahn. Earthy, painted-bronze sculpture from the Pasadena, CA-born artist, a grounded complement to Kneffel's sublime pairings.

* "8 Artists Making Sculpture", curated by Jamie Sterns @ BRIC Rotunda Gallery / 33 Clinton St, Brooklyn Heights (NR to Court St, 23 to Clark St). A properly edgy grouping of young sculptors, awash in an art climate of painting, photography, and "performance". Sounds dope to me. Feat. Arielle Falk, Jamie Felton, Mary-Kate Maher, Abraham McNally, Jong Oh, Carolyn Salas, Ian Umlauf, and Matthew C. Wilson.

AUSTIN
* "Ms. 45" (dir. Abel Ferrara, 1981) screening @ Alamo Drafthouse Ritz / 320 E Sixth St, 10p. So much awesomeness going on here: same director of cult splatterpunk classic "Driller Killer"; one of the preeminent "Girls With Guns" films; the debut for ultra-gorgeous actress/screenwriter Zoë Tamerlis Lund, playing the titular role (subhed: "Angel of Vengeance"!). 

* "Hausu" (dir. Nobuhiko Obayashi, 1977) screening @ Alamo Drafthouse Village / 2700 W Anderson Ln, 7p. If you've never seen this Technicolor- and blood-soaked meta-horror favorite on the big-screen (or — shriek! — AT ALL), schedule this screening on your iCal NOW. And even if you, like me, have seen "Hausu" in a proper theatre multiple times, in multiple cities, see it again. This tale, the feature film debut of a man known for his caffeinated commercials and co-written by his then-13-year-old daughter, is classic as all time and yet unlike anything you've ever experienced. Cute high-school girls visit old auntie's country house, which is haunted, and features a regal Himalayan cat with lasers or something shooting out of its eyes. And carnivorous pianos. And killer futons. And action soundtrack sequences. And tons else that just doesn't translate to "text". ALSO THURS

THURSDAY
NYC
* Mr. "Metamorphosis: Give Me Your Wings" @ Lehmann Maupin / 540 W 26th St. My favorite otaku-loving artist transforms the gallery into a contemplative sanctuary of angst and frustration in post-3/11 Japan. This is the first time Mr. has created such an installation outside his native Japan, and its blending of traditional "cute" subculture and uplifting imagery with the chaos of everyday life should elicit an insightful look into the contemporary Japanese subconscious.

* Mike Kelley "Memory Ware Flats" @ Skarstedt Gallery / 20 E 79th St. The gallery presents the nonpareil late artist's meditative series "Memory Ware Flats", an eight-part suite begun in 2000 of shimmering doodads and trinkets floating across seas of grout. 

* Gelitin @ Greene Naftali Gallery / 508 W 26th St 8th Fl. The Austrian art collective promise a large-scale interactive piece that'll probably keep in line with their messy, exuberant style. Plus, apparently noise-rockers Japanther are planning a related performance to coincide with Gelitin's exhibition. The two groups collaborated in the preview days of the 2011 Venice Biennale at the site-specific Gelitin Pavilion (of course).

* Diana Al-Hadid * "The Nature of Disappearance", curated by Dr. Dieter Buchhart @ Marianne Boesky Gallery / 509 W 24th St. The young, internationally recognized, and supremely awesome artist investigates the 2D picture plane within sculpture's three dimensions. She re-stages "Suspended After Image", the wonderful, gracefully monumental sculpture that premiered at Austin, TX's Visual Arts Center last year, plus showcases works referencing a 14th C. fresco by Jacopo Pontorno and more. 

* Wendy White "Pix Vää" @ Leo Koenig Inc / 545 W 23rd St. The NY-based artist presents her new Fotobild and PVC series, which incorporate photography and sculptural framing into her painting practice.

* Barney Kulok "Building" @ Nicole Klagsbrun / 532 W 24th St. Full disclosure: I've not seen Klagsbrun's new 24th St space, but I'm pretty stoked about this new exhibition of Kulok's marvelous, gelatin-silver print photography, and the related artist's monograph (published by Aperture in October).

* Desi Santiago "This Pop is Perfection" @ Envoy Enterprises / 87 Rivington St. The LES hotspot keeps it rrrreal (and real edgy), unveiling a dark funhouse of fetish fun and idol brilliance courtesy the former NY club-kid. Of note: Santiago is christening the gallery's newly expanded space with his multisensory tour-de-force, plus he contributes a satellite installation at Envoy's project space (131 Chrystie St).

* Louise Fishman @ Cheim & Read / 547 W 25th St. Big, brushy, and new: Fishman's re-appropriation of Abstract Expressionism after decades in the biz demand your full visual participation.

* Gino Saccone @ Ana Cristea Gallery / 521 W 26th St. The young Amsterdam-based artist's oeuvre explores space and painterly deconstruction. This is his first solo exhibition in New York.

* Chris Johanson "Windows" @ Mitchell-Innes & Nash / 534 W 26th St. The West Coast artist's paintings on found wood and containers (and even the gallery walls) are "meditations on being" and portals to the greater world. This is Johanson's first solo in NY since 2008's "Totalities" at Deitch Projects.

* The Joshua Light Show @ NYU Skirball Center for the Performing Arts / 566 LaGuardia Pl (ACE/BDFM to W 4th St), 7:30p/$20. The legendary light show, founded by multimedia artist Joshua White and showcased in "Midnight Cowboy" and all your or your parents' favorite '60s psychedelia live bands, returns to Greenwich Village for a sequence of special events. Tonight's the kickoff bash, pairing virtuoso percussionist Dame Evelyn Glennie (a rare NY appearance!) with experimental harpist Zeena Parks. 

* WHY? @ Music Hall of Williamsburg / 66 N 6th St, Williamsburg (L to Bedford), 8p/$18. I gotta remind myself that WHY? — aka founder Yoni Wolf, brother Josiah, Doug McDiarmid, and keyboardist Liz — have come quite a way from ethereal, sunny nerd-hop debut "Oaklandazulasylum" (and I LOVED that album). Punchy, loopy, and pretty damn groovy, replete w/ Yoni's nasally lyricism. That's new EP "Sod in the Seed", and I'm still a fan. w/ Doseone

* Turbo Fruits (TN) @ Mercury Lounge / 217 E Houston St (F to 2nd Ave), 9:30p/$10. These liquor-chugging, southern-fried punks BRING the party, kids. We just have to show up and mosh. w/ Roomrunner

FRIDAY
NYC
* Thomas Hirschhorn "Concordia, Concordia" @ Gladstone Gallery / 530 W 21st St. Big time. Remember Hirschhorn's 2009 exhibition in this space, the bonkers "Universal Gym"? Well, he's gonna one-up that, do something Big with a capital "B", like…re-imagine the crash of cruise ship Costa Concordia within a gallery setting. Note: this statement solo coincides with Hirschhorn's collage survey at Dia:Chelsea's new project space at 541 W 22nd St. Mayjah.

* Alessandro Pessoli @ Anton Kern Gallery / 532 W 20th St. The Italian artist celebrates his stateside museum solo debut at SFMOMA later this month. But first! Pessoli returns for his fifth solo gallery show at Anton Kern, an "anarchic" affair of gorgeous, painted ceramic sculptures.

* "The Master" (dir. Paul Thomas Anderson, 2012) @ Village East Cinema / 181 2nd Ave (F to 2nd Ave). Straight off the 69th Venice International Film Festival comes Anderson's bracing followup to "There WIll Be Blood", and whether you buy that it's a thinly-veiled depiction of post-WWII Scientology, or not, let's nonetheless state the facts. The cast — Philip Seymour Hoffman as the titular figure, plus Amy Adam, Joaquin Phoenix, and Laura Dern — is all-star, and this theatre is screening it the right way, in glorious 70mm. If you plan to see it NY, see it here.

* "Phantom of the Paradise" (dir. Brian De Palma, 1974) screening @ IFC Center / 323 Sixth Ave (ACE/BDFM to W 4th St). "Phantom of the Opera" told through a glam-rock lens (which facets of "Faust" thrown in for good measure), feat. Gerrit Graham (the dad in "TerrorVision") as a jaded counterpart to our Phantom dude and Alice Cooper as himself! Now THIS is the De Palma I know! ALSO SAT

* The Joshua Light Show @ NYU Skirball Center for the Performing Arts / 566 LaGuardia Pl (ACE/BDFM to W 4th St), 7:30p/$20. Terry Riley, minimalist pioneer and pan-musical guru, joins his son, guitarist Gyan Riley, in front of a soaring Joshua Light set. Start your evening transcendently, yo.

* The Joshua Light Show @ NYU Skirball Center for the Performing Arts / 566 LaGuardia Pl (ACE/BDFM to W 4th St), 10p/$40. OR…stay for the big event, featuring downtown legends John Zorn, Lou Reed, Bill Laswell, and Milford Graves revisiting the cinematic colorplay of Joshua Light. For the record: I am envious of anyone attending this spectacular event.

AUSTIN
* Sodalitas "Core" @ Grayduck Gallery / 608 W Monroe Dr. Local art collective all-stars Sodalitas, aka Joseph Phillips, Shea Little, and Jana Swec, are founding members of non-profit studio/gallery Big Medium, the East Austin Studio Tour (hereafter known as "E.A.S.T."), and The Texas Biennial. I reiterate: all-stars. Their collaborative spirit and individual strenghts follow in this exhibition, which focuses on relating the individual and the group via cross-media practices.

* "Ghostbusters" (dir. Ivan Reitman, 1984) 70mm screening @ Alamo Drafthouse Ritz / 320 E Sixth St, 3:45p. Lemme ask you: are you ready to see big-screen ectoplasm in stunning 70mm Alamoscope?! How about Stay-Puft stomping into the skyline, while the only thing standing between marshmallowy death and a cowering populace is four jumpsuited wisecrackers? Bask in '80s paranormal bliss! Who ya gonna call? SCREENINGS THRU WED

* "2 Days in New York" (dir. Julie Delpy, 2012) @ Violet Crown Cinema / 434 W 2nd St. Delpy's smart rom-com followup to "2 Days in Paris" finally visits Austin, and it looks sweet. This time, as one may preclude from the title, Delpy's "family" (incl real-life, scene-stealing Dad Delpy) visit her and beau Chris "Mingus" Rock in NYC.

* Swans + Xiu Xiu @ La Zona Rosa / 612 W 4th St, 8p. I can't stop listening to Swans' stunning new LP "The Seer": it perfectly encapsulates this venerable noise-rock band's live experience and entire history w/o sounding precisely like any previous Swans release. Does that make any sense? Crank up track "Mother of the World" and hear what I mean. Genre-defying duo Xiu Xiu and their simultaneously caustic and comforting new LP "Always" make a good match for Swans' aural assault.

TOKYO
* Masumi Nakaoka "Parapraxis" @ Art Front Gallery / Hillside Terrace A, 29-18 Sarugakucho, Shibuya-ku (JR Lines etc to Shibuya). Ethereal landscapes rendered in soft acrylics and oils, with a deft interplay between colorful forms and cut-out expanses of gauzy white.

* Who the Bitch @ GARDEN / 2-4-5 Kitazawa, Setagaya-ku (Keio Inokashira Line to Shimokitazawa Station, S Exit), 7p/2800 yen. Trust me, you don't want to miss a Who the Bitch party, two fierce riot-grrrls and their Guitar Wolf-looking dude drummer. w/ HERE

* Zeni Geva + Melt-Banana @ Earthdom / B1 2-32-3 Okubo, Shinjuku-ku (JR Yamanote Line to Shin-Okubo Station), 7p/2500. Venerable noise-rockers Zeni Geva, like a musical rocketship piloted by guitarist KK Null and drummer Tatsuya Yoshida, headline this bracing lineup. Melt-Banana blitz the stage w/ their caffeinated punk. w/ Maruosa + Murochin

* i8u "Surface Tension" @ SuperDeluxe / B1F 3-1-25 Nishiazabu, Minato-ku (Toei Oedo/Hibiya Lines to Roppongi Station), 7:30p/4000 yen. The Quebecois sound artist France "i8u" Jobin touches down in Tokyo for this night of eclectic, electroacoustic pairings. The program includes Yoshio Machida x Tadahiko Yokogawa, Jun Iijima x hakobune + Yuki Aida, Toshimaru Nakamura x sawako, and it caps off with i8u x Keiichiro Shibuya. Sounds good to me.

SATURDAY
NYC
* Rodney McMillian @ Maccarone / 630 Greenwich St. The LA-based artist inaugurates Maccarone's refurbished gallery space in a big way. For though McMillian's "desiccated familiarity" awesomeness had him in the 2008 Whitney Biennial and Rashida Bumbray's curated show at the Kitchen that same year, he rarely shows in NYC. This should be a treat.

TOKYO
* Mamiko Masumura "Scab" @ waitingroom / 4B 2-8-11 Ebisu-nishi, Shibuya-ku (JR Yamanote Line/Hibiya Line to Ebisu Station, West Exit). Remarkable, small-scale carved and painted wood figures by the young Tokyo-born artist. Though this is her debut solo at the gallery, Masumura's been making the rounds of the hot indie scene, including appearances at hpgrp Gallery's NY space this March and the recent Gallerist Meeting x SOMEWHERE group show.

* 住所不定無職 @ Unit / 1-34-17 Ebisu-nishi, Shibuya-ku (JR Yamanote/Hibiya Lines to Ebisu Station), 6p/3500 yen. Killer tune explosions! The candy color-coded cuties behind 住所不定無職 (lit. "no job nor fixed address") rock the house with their potent combo of vintage sway and garage rasp. w/ Keiichi Sokabe's BAND

SUNDAY
NYC
* "Process 01: Joy" @ P! / 334 Broome St. The inaugural exhibition at this "Mom-and-Pop Kunsthalle" from Project Projects co-founder Prem Krishnamurty features works by Chauncey Hare, Christine Hill, and Karel Martens. I'm super stoked to see what Hill, of the "Volksboutique" persona, does in this space, though graphic design impresario Martens (who created P!'s logo) and the sleight-of-hand photographic documentation from Hare sounds dope as well. Put this one on your radar, NY.

* The Joshua Light Show @ NYU Skirball Center for the Performing Arts / 566 LaGuardia Pl (ACE/BDFM to W 4th St), 7:30p/$20. The final night of Joshua Light Show's return to Greenwich Village promises a funky bang, feat. powerhouse groove-mavens Debo Band & Forro in the Dark. Sending it out in style, yo.

TOKYO
* nisennenmondai presents "souzousuruneji+" @ Ochiai Soup / B1F 3-9-10 Kami-Ochiai, Shinjuku-ku (Tokyo Metro Tozai Line to Ochiai Station), 7:30p/TOTES SOLD OUT! It all comes to this, and count yrselves lucky if you scored a ticket to this way intimate performance. Tokyo's consummate kraut-rock starlets nisennenmondai take it back to their punk and no wave roots for one unforgettable night.

* "Wet Dream" @ AiSOTOPE LOUNGE / 1F 2-12-16 Shinjuku, Shinjuku-ku (Tokyo Metro Marunouchi/Fukutoshin/Shinjuku Lines to Shinjuku-sanchome Station), 9p/3000 yen. Why am I sending you (again) to deepest Ni-chome? For a sinful, end-of-summer fetish party, that's why! Feat. scene DJs incl RINKO and Zil, a kinky performance by Nasty Cats (aka Nancy & Aloe of tokyoDOLORES), a fashion show, and more surprises courtesy Torture Garden Japan.

MONDAY
NYC
* Deerhoof @ Music Hall of Williamsburg / 93 N 6th St, Williamsburg (L to Bedford), 10p/$15. I am so in love with Deerhoof's vibrant, upbeat, contrasty new LP "Breakup Song", which takes their enviable formula for art-rock and kicks it up a notch. "Then you bring me flowers", indeed! w/ Buke and Gase

TOKYO
* "White Agenda" @ Warehouse702 / B1F 1-4-5 Azabu-Juban, Minato-ku (Toei Oedo Line to Azabu-Juban Station, Exit 7), 3:15p/3000 yen. It's not often that I happen across mid-afternoon fetish parties, but the chilled-out nature of this sporadic bash seems super cool. Feat. Nasty Cats (aka Aloe and Nancy of tokyoDOLORES), plus Erebos party DJ Toru Shimizu, White Agenda resident DJ Toru Takeda, some guest stars from Japan Pole Dance, a "white candle artist", and a VIP lounge just for the girls.

TUESDAY
NYC
* "Remembering Warhol: 60 Artists, 50 Years" @ Metropolitan Museum of Art / 1000 Fifth Ave (456 to 86th St). The Pop purveyor's influence in contemporary art runs deep, whether we like to admit it or not (or whether we prefer Picasso's notoriety to young(er) artists over Warhol). The museum stages a grand dialogue between Warhol and 60 contemporary artists — spanning alphabetically from Ai Weiwei and Polly Apfelbaum to Kelley Walker and Christopher Wool — over five thematic sections, "Daily News", "Portraiture", "Queer Studies", "Consuming Images", and "No Boundaries". The befuddling fly in the ointment? The Andy Warhol Foundation for the Visual Arts' idea to sell off some 20,000 remaining pieces of Warhol's estate at auction, beginning this fall. Though if we take the (hopefully) carefully considered 45 Warhols in this Met exhibition purely on an aesthetic/historical level — vs their 20,000 kin floating on the market — then maybe we're still good?

AUSTIN
* Emily + Andy's Film Club @ Visual Arts Center Courtyard / UT Art Building, 23rd St at Trinity, 6:30p. Ahead of Emily Roysdon's multimedia survey in the VAC's Vaulted Gallery (opening FRI!) comes the third iteration of her co-curated film series with art historian Andy Campbell. They've been saving this one for maximum impact, so attune your eyes to NY underground heavyweight Charles Atlas and his '85 docu-fantasy "Hail the New Puritan" on London's '80s post-punk subculture. 

* TOP SECRET TERRORTIME! screening @ Alamo Drafthouse Ritz / 320 E Sixth St, 10:15p. Terror Tuesday programmer Zack Carlson won't reveal much about this potential gem, except it's from the '80s and a definite "R". One thing: he and Drafthouse programmer Lars recently rescued some 1,300 35mm prints from the midwest…and this super-rare print comes from that haul. That info alone gives me a shot-in-the-dark idea of what it might be, and if so it's gonna be unmissable! 

CURRENT SHOWS
AUSTIN
* Anthony W. Garza @ Tiny Park / 1101 Navasota St. The biting, harsh light of Austin summers befits Garza's naturalistic practice: he either draws or paints highly realistic renderings of nature that work in an incredible attention to lighting itself. There is an entire cycle of discovery going on here, from breathtaking graphite drawings of weathered rocks and truncated branches, to seductive collages of animal and inanimate in watercolor (what seems overwhelming at first becomes far more compelling as you stare into them, the animals' eyes, the texture of fur), to a pair of romantic night skies in varying acrylic washes and textures. Garza's oeuvre cues us back into our discovery sides and bears a deep nostalgia in doing so.

* Jim Torok "There Is Nothing Wrong with You" @ Lora Reynolds Gallery / 360 Nueces. Go for it! Don't give up (yet)! (You can do it; just hang in there a little bit more; nobody said it would be easy; it will be worth it (most likely)!). This is the kind of positivity we need, drenched in bright colors and bearing a nuanced realism, highlighted by that deft comma placement. Torok installed 52 cheery — and sometimes quite poignant — ink on paper "cartoons" in two commanding grids across two gallery walls. We are literally caught in the middle, permitting his color washes and talking Jim heads to do their work. Maybe some of the positivity will stick. Outside, in the larger gallery, hangs the titular text-based work and one super-tiny, ultra-realistic self-portrait, a nonjudgmental reminder of the man behind the mottos.
+ Cordy Ryman. Incredible color-slinging and composition awaits visitors to the gallery's project room. I thought I "knew" Ryman from his many solo shows at NY's DCKT Contemporary, but he continues to delight in works like "Green Book" (ostensibly "just" a painting in photographs, but actually a three-dimensional object in real life, swinging open from its right side to reveal like the inner machinations of the artwork). Or the subtle drama in "Strip Line" and its gorgeous pairing of two unpainted blocks of wood sandwiched between two painted blocks. Elsewhere, arrangements of paint-streaked stir sticks or chunks of wood embedded in Gorilla Glue ooze never looked quite so striking.

CLOSING SOON
TOKYO
* Toru Nogawa "Sanctuary of Darkness" @ Span Art Gallery / 2-2-18 1F Ginza, Chuo-ku. (Yurakucho Line to Ginza-Itchome Station). Sumptuous oils of Gothic Lolitas and sorta domino types? Sign me up! (ENDS SAT)

TOKYO
* Kazuhiro Ito "bridge" @ hpgrp Tokyo / B1 5-1-15 Jingumae, Shibuya-ku (JR Yamanote to Harajuku Station, Tokyo Metro Chiyoda/Ginza/Hanzomon Lines to Omotesando Station). The Fukuoka-born artist continues to redefine the possibilities of bronze sculpture, from blobs and twisting spears to meteoric figurative works. I am particularly stoked about his centerpiece "Starman Loves You" and its "Earthbound"-referencing properties. (ENDS MON)

Wednesday, August 17, 2011

fee's LIST (through 8/23)

WEDNESDAY
NYC
* Chelsea Wolfe @ Saint Vitus / 1120 Manhattan Ave, Greenpoint (G to Greenpoint, 7 to Vernon Blvd/Jackson Ave), 8p/$8. Cali's doom-folk goddess Chelsea Wolfe stages her much-overdue NYC debut tonight, ahead of her 2nd LP "Apokalypsis" (on Pendu Sound), and it's totally appropriate she does it at my favorite black-walled and -ceiliinged and -floored metal bar. w/ Cult of Youth

AUSTIN
* " Cold Fish - UNCUT" (dir. Sion Sono, 2010) screening @ Alamo Drafthouse S. Lamar / 1120 S. Lamar, 10p. Sono's bloodied barrage of domestic violence, deception and dismemberment around a tropical fish store will leave you gutted (pun intentional!). Luckily the Drafthouse serves alcohol, which you might need to propel yourself into the 2nd half, a propulsive ride towards a brutal — perhaps even cathartic — finale. All said, this is a phenomenal work and super-rare to see it uncut off the festival circuit. It'll give you nightmares, but it's worth it. ALSO THU

* "The Outfit" (dir. John Flynn, 1973) screening @ Alamo Drafthouse Ritz / 320 E 6th St, 10p. So you're the mob and you just royally screwed yourself by dissing Golden Age Robert Duvall (i.e. you murder his brother). Now he's out for revenge, and he's gonna rob you while he's at it.

TOKYO
* Yokohama Triennial 2011 @ Yokohama Museum of Art / 3-4-1 Minatomirai, Nishi-ku, Yokohama-shi (Minatomirai Line to Mimatomrai Station, JR/Tokyu Toyoko or Yokohama Lines to Sakuragicho Station). Peter Coffin "Music for Plants", a music event w/in the artist's work "Untitled (Greenhouse)", which is decked in synths, mixers and amps amid the real foliage, feat. the unfettered noise of Jim O'Rourke! At 5:30p.

* Merzbow + TADZIO @ Mameromantic / B2 Daikanyama, Shibuya-ku (Tokyu Toyoko Line to Daikanyama Station), 6:30p/3000 yen. I want to attend this noise-fest BAD. Pairing skronk-punk cuties TADZIO (their debut LP rocks!) w/ legend Masami "Merzbow" Akita is atonal music to my ears. w/ a duet by Masaaki Kikuchi (electronics) and Tatsuya Yoshida (drums)

THURSDAY
NYC
* "THE END" @ Christopher Henry Gallery / 127 Elizabeth St, 2nd Fl. Jason LeBlond curated the kind of four-artist group show I can get behind. Why? Check Kevin Baker's lush abstracts, accentuated w/ enamel paint and executed over Kentucky-proud oilcloths. Even better: Gabriel J. Shuldiner's corroded "Post-Apocalyptic Black" paintings, each like a custom black hole of nihilism. Plus visceral ephemera from Jordan Eagles (i.e. cows' blood, combined w/ copper and preserved in Plexiglas and resin) and Wonderpuss Octopus' assaultive packaged goods.

* Charlene Kaye @ Rockwood Music Hall / 184 Allen St (F to 2nd Ave), 6p/FREE. Prepare for enchantment, in this solo piano soiree by local singer-songwriter Kaye.

AUSTIN
* "Pale Flower" (dir. Masahiro Shinoda, 1964) + "Double Suicide" (dir. Masahiro Shinoda, 1969) screenings @ Paramount Theatre / 713 Congress Ave, Austin, 7/9p. I was lucky enough to catch this Japanese New Wave filmmaker's pivotal work "Shinjuu-ten Amijima" (known stateside as "Double Suicide", but originally translates as the poetically badass "Amijima Effaced to Heaven by a Lovers' Suicide") at Japan Society's New Wave mini-fest. This is an excellent chance to catch Shinoda's deft blending of ritualistic old-school Japan w/ marginal down-and-out characters of then-contemporary society. ALSO FRI 7/9:10p

* "Starship Troopers" (dir. Paul Verhoeven, 1997) ACTION PACK Edition @ Alamo Drafthouse Ritz / 320 E 6th St, 7p. I totally mean to make one of these "Action Pack" showcases, which augment bonkers '80s and '90s action films w/ live pyrotechnics and audience cap guns. And honestly, I always dug "Starship Troopers" for its blatant boneheadedness, its farcical take on hoo-rah vs. "bugs", plus the unironic coed infantry.

TOKYO
* TADZIO @ O-Nest / 6F 2-3 Maruyama-cho, Shibuya-ku (Yamanote Line etc to Shibuya Station), 7p/2500 yen. A double-shot of grrrl noise-punk TADZIO? Sign me up! w/ the perpetual jazz-deconstructionists nhhmbase

FRIDAY
NYC
* "Grave Encounters" (dirs. The Vicious Brothers, 2011) midnight screening @ Village East Cinema / 181 2nd St (L to 3rd Ave). This debut full-length from two filmmakers younger than me looks scary as hell. Insanely scary, if you will, as it's set in a derelict mental hospital and composed found-footage style. ALSO SAT

* "Fright Night 3D" in wide release (dir. Craig Gillespie, 2011). Yeah, all right, if you'd asked my take on this remake of Tom Holland's CLASSIC '80s HORROR FILM like two months ago, I'd been pretty damn skeptical. As in: why revamp greatness? But… what I've seen thus far (Colin Farrell as a very un-pretty-boy monster as lead villain Dandridge, '90s alt-queen Lisa Loeb as Evil Ed's mom, Imogen Poots — aka Tammy from "28 Weeks Later"! — as the girlfriend, and an overall authentically scary vibe) has me stoked, so there you go.

* "A Horrible Way to Die" (dir. Adam Wingard, 2010) @ reRun Theatre / 147 Front St, DUMBO (F to York St, AC to High St), 7/10p w/ writer/producer Simon Barrett! This new chiller from genre dynamo Wingard, which had its U.S. debut at Fantastic Fest last year, is a particularly twisted take on the serial killer film, w/ the escaped con rampaging to find his recovering ex-girlfriend. But one of those twists (perhaps less apparent to you non-cinephiles) is Joe Swanberg as the ex's new squeeze, playing an entirely serious role for this usual mumblecore deviant. Also SAT-SUN, 1p; MON-TUES 7/10p

* Hausu (dir. Nobuhiko Obayashi, 1977) midnight screening @ IFC Center / 323 Sixth Ave (ACE/BDFM to W 4th St). No teen girl ghost story will ever match the Technicolor mayhem of HOUSE. If the high-school-aged beauties trekking off a painted landscape to old auntie's house don't send you for a loop, the creative savageries (and eye-wateringly intense in-camera effects) that await them totally will. Like Dario Argento through the mind of a preteen girl, super-cute yet incredibly disturbing. This film is LIST-approved for dopeness. ALSO SAT

* Black Pus @ Death By Audio / 49 S 2nd St, Williamsburg (L to Bedford, JM to Marcy), 8p/$8. Deposit masked man-maelstrom drummer Brian Chippendale (Black Pus/Lightning Bolt) w/in DBA's checkerboard environs, ideally on the floor, and you get TOTAL MIND OBLITERATION. His furious rhythms and barked vocalizations will rip paint from the walls. And as Chippendale steers you in varying forms of stagediving and moshing, you will lap it up like sunlight and love it. w/ Cosmonauts and Zulus

* Yellow Ostrich + Caged Animals @ Glasslands / 289 Kent Ave, Williamburg (L to Bedford, JM to Marcy), 8:30p/$10. Word of advice: show up early for Brooklyn's fractured dreampop outfit Caged Animals. Their new 7" "Girls on Medication" could change your life (or at least haunt your dreams). Headlining duo Yellow Ostrich put the freak(y) in freak-folk. w/ Exitmusic

AUSTIN
* "3D Sex and Zen: Extreme Ecstasy" (dir. Christopher Sun Lap Key, 2011) @ Alamo Drafthouse South Lamar / 1120 S Lamar Blvd, 7p. Hong Kong's first 3D erotic drama, which whupped "Avatar"'s ass in the box office and features a fair number of Japanese AV idols (incl. Saori Hara, whom the expert viewer may recall from "Horny House of Horror"). Sounds like essential viewing to me!

* Suzanna Choffel + Quiet Company @ Antones / 213 W 5th St, 9p/$10. Ahead of local piano-accented indie rockers Quiet Company's CD release show next month is this tiny coupling w/ smoky singer-songwriter Suzanna Choffel. w/ Courrier

* Lola-Cola + The French Inhales @ Beerland / 711 Red River, 9p. Bubblegum glitter punk, so claims Lola-Cola's Facebook page! Penny Cola fronts this sweaty dynamo of grimy guitars and shouty grrrl vox, a smart match for The French Inhales' sophisticated coed noise-rock. w/ Bike Problems

* The Scarlett Effect + The Beat Dolls @ Hole in the Wall / 2538 Guadalupe St, 10p/$5. That The Beat Dolls blend upbeat third-wave ska (their frontwoman Angie Munsey hails from a Dallas punk/ska background) with propulsive garage rock is like they formed just for me. They play my favorite dive w/ McAllen's The Scarlett Effect, four heart-breakers w/ a penchant for bluesy riff rock. w/ Ledaswan

TOKYO
* The Vickers + Fruits Explosion @ Shibuya Cyclone / B2 13-16 Udagawa-cho, Shibuya-ku (JR Lines etc to Shibuya Station), 6:30p/2600 yen. Slinky hook-driven rock 'n' roll, that's what I'm talking about! Fruits Explosion (styled as "Fruit Sex Plosion", if that gives you any indication) have charismatic howler Lee as frontman over a skronk-rock core. Check newish single "Love is Stronger Than the Truth", ahead of their big kickoff tour. Tokyo mainstays The Vickers unleash blast-beat punk tunes w/ machine-gun intensity. w/ The JFK

* FREEDOMMUNE ZERO Festival @ Higashi-Ogishima East Park, Kawasaki City (take a free shuttle bus from Kawasaki Station East Exit, via the JR Kawasaki Line), 3p-6a!, FREE w/ RSVP. DOMMUNE (Shibuya's streaming studio that could; think Austin City Limits but for audiences of 50 at a time) unveils a stunning outdoor concert of techno, noise and even pop, spread over 40 acts and five stages. Hell, I'd go for the noise alone, which boasts Merzbow, Keiji Haino, Hijokaidan, Otomo Yoshihide, and Whitehouse/Cut Hands, but Detroit techno god Jeff Mills, tropic-percussive legion OOIOO and avant-chanteuse Salyu x Salyu keep things popping.

SATURDAY
NYC
* "Iconoclast: Boyd Rice" (dir. Larry Wessel, 2010) screening @ Anthology Film Archives / 32 Second Ave (F to 2nd Ave), 7p. The American underground iconoclast Rice, aka noisician NON, the author, Satanist, UNPOP co-founder and undoubtedly many other pursuits I've failed to mention, is the subject of this four-hour "epic view". Wessel crafts the tale through Rice's own words, but the turbo-collaged subject matter (Charles Manson to Marilyn Manson, knives, industrial music, Bob Larson) must approach what it's like to actually spend a few hours w/in this guy's head. ALSO SUN 7p

* "Under the Sand" (dir. François Ozon, 2000) screening @ MoMA / 11 W 53rd St (E/M to 53rd/5th Ave, 6 to 51st St), 7:30p. Bit like a French take on Michelangelo Antonioni's Modernist classic "L'Avventura", or more realistically a taut investigation on loss and disillusionment, when university lecturer Marie's (Charlotte Rampling) husband vanishes off a SW French beach while she sunbathes. ALSO SUN 2p

* Warm Up: Juan Maclean + Blood Orange @ MoMA PS1 / 22-25 Jackson Ave, Long Island City (E/M to 23rd St/Court, 7 to Courthouse Sq), 2p/FREE. Warm Up is on fire this season! I mean…what's better than some grit from Montreal DJ Grimes and some gloss from Houston TX's Solange Knowles, followed by Dev "Lightspeed Champion" Hynes' synth-funk outfit Blood Orange AND NY nouveau-disco mainstays Juan Maclean? If Nancy Whang adds her house vox to the mix = perfection.

AUSTIN
* "The Soft Skin" (dir. François Truffaut, 1964) + "Vivre sa vie" (dir. Jean-Luc Godard, 1962) screenings @ Paramount Theatre / 713 Congress Ave, Austin, 4:30/6:50p. How does one pick two Nouvelle Vague classics to run as a double feature? I'd have a hell of a time and probably go w/ two JLG flicks, but I like the Paramount's thinking here. We've got a mid-60's beauty from Truffaut, a classic love triangle français, which isn't as well known as his one-two "Jules et Jim" and "The 400 Blows"; plus JLG's 12-episode early feature on muse Anna Karina, basically playing herself (except for the prostitution thing). ALSO SUN 4/6:20p

* Jean Grae (NYC) w/ DJ Mr. Len @ Scoot Inn / 1308 E 4th St, 9p/$15. So NYC got a Company Flow reunion, and rightfully so too considering these heavies represent the best of E. Coast underground hip-hop. Austin gets a slice of the action, via a queen of NY's indie scene, the indomitable Jean Grae, who brings polysyllabic fury to Co-Flow DJ Mr. Len's sick-ass beats. Gonna be a hot night.

* Natural Child (Nashville) + Liquor Store @ Spiderhouse Ballroom / 2906 Fruth, 10p/$5. I loved Natural Child's relentless southern-fried rock whenever they'd sweep through Brooklyn, and to see them in Austin (alongside touring partners and absolutely bonkers Jersey punks Liquor Store) just sounds like a riot. w/ OBN III's

TOKYO
* Yokohama Triennial 2011 talk @ Yokohama Museum of Art / 3-4-1 Minatomirai, Nishi-ku, Yokohama-shi (Minatomirai Line to Mimatomrai Station, JR/Tokyu Toyoko or Yokohama Lines to Sakuragicho Station), 7-9p. Yoshihide Otomo, the legendary experimental musician and one-third the founders behind Project FUKUSHIMA! leads a discussion on the vitality of creative expression in NE Japan and beyond.

* "Nightmare", Torture Garden Japan 2011 Autumn Ball Pre-Party @ Akasaka Erebos / 3-11-14 Akasaka, Minato-ku (Tokyo Metro Chiyoda Line to Akasaka Station), 10p/3500 yen (or 2500 yen following dress-code). Perfect way to warm those bodies up to latex and leather, before the big bash next month. It pains me (pun?) that I cannot attend this, but for those of you in the know, it's a must-do event! w/ DJ Me:Ca, the cutest and fiercest official Torture Garden Japan DJ, plus a host of kinky performances.

MONDAY
NYC
* "The Bitter Tears of Petra von Kant" (dir. Rainer Werner Fassbinder, 1973) @ IFC Center / 323 Sixth Ave (ACE/BDFM to W 4th St). This potent portrayal of acute attraction and regret, with an all-female cast (incl. recurring muse Margit Carstensen as the lead and chanson Hanna Schygulla the object of her obsession), was adapted by Fassbinder from his titular play.

TUESDAY
AUSTIN
* Alberto Mena "While I Sleep" @ B. Hollyman Gallery / 1202-A W Sixth St. The NY-based artist meditates on dreams and that blurry line b/w wakefulness and slumber. His debut solo exhibition in Austin features photographic prints w/ varying degrees of manipulation.

* "She's All That" (dir. Robert Iscove, 1999) screening @ Alamo Drafthouse Ritz / 320 E 6th St. Austin's "Cute Night" is totally "all that". And despite my rancor toward Freddie Prinze, Jr., his boyish look as all-star senior Zach (color-blocked sweaters, hangdog grin) makes up for it. Even better: the double-awesomeness of Jodi Lyn O'Keefe as A-list girlfriend and an "unknown" Rachael Leigh Cook as the socially awkward art student (but really a total hottie!). The ultimate: a choreographed dance scene to Fatboy Slim's "The Rockafeller Skank", w/ USHER as DJ!

* "Don't Panic" (dir. Rubén Galindo Jr., 1988) screening @ Alamo Drafthouse Ritz / 320 E 6th St, 9:45p. Take the best of '80s slasher films, throw in some "A Nightmare on Elm Street" conjuring hoodoo, then put the resulting knife-toting, teen-killin' demon Virgil against an adult male wearing child pajamas and voila! Possibly the only thing cooler than that previous sentence is "Don't Panic"'s decade-appropriate New Jack Swing theme song.

* Dntel @ Emo's / 603 Red River, 9p/$12. So Jimmy "Dntel" Tamborello is one glitch maven who made a successful splash in the mainstream, via indie-pop duo The Postal Service. w/ The One AM Radio

TOKYO
* Susan Philipsz "Did I Dream You Dreamed About Me" @ Mizuma Action / 2F 1-3-9 Kamimeguro, Meguro-ku (Tokyu Toyoko Line to Nakameguro Station). An enchanting little show in summer's twilight. Mizuma restates sonic pioneer Philipsz's two-speaker installation (which they unveiled at the main Ichigaya-tamachi space in 2007) for juuuust a quickie, i.e. it closes SAT. Don't miss it.

CLOSING SOON
NYC
* "Cabin Fever" @ Mixed Greens / 531 W 26th St. A summer group show named after — but not necessarily extracting from — my favorite Eli Roth film (yes, on the record here, I dug "Cabin Fever" WAY more than "Hostel"). There is some B-horror tenseness here, via Josh Peters, Megan Crump and Mike Calway-Fagan, but the overall exhibition is steeped in a more generalized terror, like Jonathan Ehrenberg's looping two-channel video and Ilene Sunshine's wall-mounted sculpture. (ENDS FRI)

TOKYO
* Kosai Hori "Origin — naked place" @ Mizuma Art Gallery / 2F 3-13 Ichigayatamachi, Shinjuku-ku (Yurakucho/Nanboku Lines to Ichigaya Station). Hori's gestural mark-making makes us more aware of the works' borders and constraints. This exhibition includes some four years of his mineral pigment and oil paintings.

* Shingo Francis "Veils" @ Galerie Paris / 1F, 14 Nihon Odori, Naka-ku Yokohama-shi (Minatomirai Line to Nihon Odori Station — access from Shibuya Station). This is a bit of a haul out to Yokohama but totes worth it. Reason: Francis's incredible minimalist painting installations, resonant w/ some deep cosmic energy. I was lucky enough to meet the man during a residency/exhibition in NYC. (ENDS SAT)

AUSTIN
* "Identity Crisis", curated by Hector Hernandez @ Grayduck Gallery / 608 W Monroe Dr. Altering oneself and its impact, both personal and outward, in society — whether that means a more explicit gesture (the mask) or a more subtle costume. Hernandez, painter/printmaker Carlos Donjuan and multimedia artist William Hundley (winner of the Juror's Award at Texas' 2007 Biennial) contribute. I dug this quite a bit. Donjuan's collages on birch panels bore Rene Magritte references, like the "veiled" women and perched birds in "I'm a Lady" and the prisms on "Where to", and I particularly liked Hernandez's own series "Mrs. Nitroglycerin", varyingly spare mixed media compositions or C-prints of a modelesque woman wielding a "Technicolor Ax".

TOKYO
* Daisuke Nagaoka @ hpgrp Tokyo / B1F 5-1-15 Jingumae, Shibuya-ku (Chiyoda/Hanzomon/Ginza Lines to Omotesando Station). Nagaoka animates his elaborate pencil and pen drawings into layered, erased and reconfigured scenarios — think a William Kentridge style physicality. (ENDS SUN)